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Bird Scarer By Glenn Sheldon

$14.00

"I am impressed by Sheldon's form. Always the stanza, always very regular, tercets or quatrains, etc., which seems to suggest a kind of control as does his use of short lines as well as short sentences. It suggests a kind of control and even terseness, but what I like is his unexpected bloom or rush of thought and/or feeling that really comes through. In other words, he gets us to ride on this seemingly tidy little train, but then the journey takes us on a wilder ride than we anticipated. I like the surprise of that. I also like what I perceive to be his tone and voice. Quiet, a bit sardonic, but also heavily emotional, Bird Scarer is lovely."

— Susan Azar Porterfield

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"I am impressed by Sheldon's form. Always the stanza, always very regular, tercets or quatrains, etc., which seems to suggest a kind of control as does his use of short lines as well as short sentences. It suggests a kind of control and even terseness, but what I like is his unexpected bloom or rush of thought and/or feeling that really comes through. In other words, he gets us to ride on this seemingly tidy little train, but then the journey takes us on a wilder ride than we anticipated. I like the surprise of that. I also like what I perceive to be his tone and voice. Quiet, a bit sardonic, but also heavily emotional, Bird Scarer is lovely."

— Susan Azar Porterfield

"I am impressed by Sheldon's form. Always the stanza, always very regular, tercets or quatrains, etc., which seems to suggest a kind of control as does his use of short lines as well as short sentences. It suggests a kind of control and even terseness, but what I like is his unexpected bloom or rush of thought and/or feeling that really comes through. In other words, he gets us to ride on this seemingly tidy little train, but then the journey takes us on a wilder ride than we anticipated. I like the surprise of that. I also like what I perceive to be his tone and voice. Quiet, a bit sardonic, but also heavily emotional, Bird Scarer is lovely."

— Susan Azar Porterfield